REVIEWS FEED
Death Valley Dream Cult are introducing themselves not tentatively, but with conviction
Published on February 27,2026 by Ronnie Chavez
As debut statements go, “Death of Creation” is a bold and calculated first move from Death Valley...
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lalalove me doesn't ask for permission
Published on February 27,2026 by Mia Jenkins
Dailla’s “lalalove me” doesn’t ask for permission—it storms the room, flips a few tables, and...
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Emotionally Honest and Sonically Rich
Published on February 27,2026 by Mia Jenkins
If You Need Me, I’ll Be Here sees Nuclear Cowboy merging nostalgia with forward motion, producing...
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Katie Dauson shines with her infectious new single, “Will You Won’t You.”
Published on February 25,2026 by Mia Jenkins
Toronto singer-songwriter Katie Dauson shines with her infectious new single, “Will You Won’t...
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AMBER Turns A Fleeting Encounter Into Something Lasting On “St Tropez”
Published on February 23,2026 by Max Johnson
There is a quiet confidence in writing a song where the drama is understated. “St Tropez,” the...
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Tamara Lee Makes A Bold First Move With “Touch and Go”
Published on February 20,2026 by Max Johnson
If you have ever found yourself replaying a conversation at midnight, Tamara Lee’s “Touch and Go”...
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A Slacker Rock Manifesto
Published on February 19,2026 by Chad
What do you get when you combine two Canadian music lifers into one guitar-heavy power-pop unit...
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Yafania's "The Last Goodbye" Captures the Breaking Point Between Silence and Confession
Published on February 18,2026 by Mia Jenkins
We've all been there before: that moment when keeping your feelings to yourself finally becomes...
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Molly Stone Compiles Years of Tender Work On The Softies
Published on February 16,2026 by Mia Jenkins
Molly Stone’s The Softies collects four of her gtneler tracks into a deliberately intimate EP....
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Melancholy Made Catchy: Tim Vicia’s Dreamo-Pop Moment
Published on February 16,2026 by Mia Jenkins
Imagine walking into a crowded room and feeling invisible, yet someone across the room hums a...
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