Discover The Most Streamed Australian Jazz Artist's Musical Mastery And Spiritual Connection!

Connie Lansberg, a distinguished jazz artist rooted in Melbourne, has etched her place in the Australian jazz scene as the most streamed artist in the country, boasting over 4.5 million streams on Spotify. Her latest self-produced album, "Alone with Bees," unfolds across 10 tracks, showcasing Lansberg's artistic versatility in roles ranging from vocalist to writer, arranger, producer, and performer.

Lansberg's hands-on approach imparts a personal resonance to each track, crafting a unified and intimate listening experience. Collaborating with her quartet, featuring jazz luminaries Mark Fitzgibbon, Ben Hanlon, and Peter Hodges, the album seamlessly intertwines seven original compositions with three classic standards. This collaboration extends beyond musical synergy, revealing the chemistry and camaraderie forged during the album's creation.

Lansberg's adeptness in effortlessly reaching high notes adds a layer of sophistication to her jazz style, evident in the opening track, "Alone with Bees." Serving as both the title track and accompanied by a unique short story, this piece not only garnered recognition at Hollywood's Artemis Women in Film festival but also adds a noteworthy accolade to Lansberg's growing list of achievements.

"Deep End of Love" and "Free" contribute to the album's thematic depth. The former explores the resilience of those grappling with heartbreak, while the latter, the album's inaugural single, narrates the journey of overcoming past traumas.

What sets Lansberg apart extends beyond her musical talent; her spiritual connection to her craft draws inspiration from Soul Alignment and the Akashic Records, infusing a soulful dimension into her work. This spiritual foundation empowers her to delve into and release deep-seated traumas on a profound level, introducing a layer of introspection to her music.

The quartet's contribution proves pivotal to the album's success, with Ben Hanlon's expressive double bass solos and Mark Fitzgibbon's piano artistry reminiscent of jazz legends McCoy Tyner and Herbie Hancock, elevating the overall listening experience. Inclusion of standards like Sondheim's "I Remember Sky," Monk's "Round Midnight," and Bernstein's "Some Other Time" pays homage to jazz tradition while showcasing Lansberg's interpretative skills.

Beyond her musical pursuits, Lansberg wears the hat of a published author. The accompanying booklet features short stories inspired by the songs, complemented by original artwork from Francesca Baerald, enriching the overall experience with a visual and literary layer.

In essence, "Alone with Bees" transcends the status of a mere album; its fusion of personal narratives, spiritual influences, and exceptional musicality positions it as a standout in the jazz genre. Highly recommended for both dedicated fans and those discovering Lansberg's music for the first time.

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