Suki Summer Is Lovesick & Sick Of Love

Love’s a battlefield—or at least a dizzying carousel of situationships, ghostings, and long-distance fantasies. On her debut EP LOVESICK AND SICK OF LOVE, Suki Summer captures all of it with unfiltered clarity and just the right amount of glittery melancholy. Across six tracks, she delivers the kind of sharp, self-aware songwriting that hits like a DM you weren’t ready to read.

Opening track “Summer Crush” is pure main-character energy: a bright, flirty dive into the rush of queer first love. It’s awkward, intoxicating, and brimming with charm. But don’t get too comfortable—the mood turns introspective fast. “Marianne” follows like the comedown after the high, a wistful ode to a love that bloomed abroad but wilted in reality. Suki’s vocals float over the production like a fading memory, delicate and devastating.

Things get even more real on the title track. “LOVESICK AND SICK OF LOVE” is an anti-anthem for anyone emotionally burnt out by dating culture. With razor-sharp lines and a nonchalant vocal delivery, Suki perfectly articulates what it feels like to cycle through conversations that go nowhere. It's the ultimate soundtrack to turning off your read receipts and deleting dating apps (again).

On “used to you,” Suki explores the kind of quiet, slow heartbreak that comes from comfort turning into complacency. It’s a song about what happens when love loses its pulse—but no one wants to say it. Then comes the emotional climax: “i still want u.” Sparse and haunting, it’s a gut-punch of a ballad, the kind you play on repeat just to feel something. Her voice here feels fragile, but unflinchingly honest.

The EP closes with “outro (it’s nvr bye it’s jus c ya l8r),” a lo-fi goodbye that doesn’t try to wrap things up too neatly. It’s a soft landing after an emotional freefall, choosing peace over drama. It’s less of a mic drop and more of a knowing nod.

Suki Summer may be new to the scene, but she’s already speaking directly to a generation navigating romance in a post-love-is-dead world. LOVESICK AND SICK OF LOVE is the kind of debut that sticks—not because it screams for attention, but because it sounds like your own inner monologue finally getting a melody.

COMMENTS